![]() The mouth should be at least far open as in Ⓒ, but not quite as far as in Ⓓ. This shape is used for long “L” sounds, with the tongue raised behind the upper teeth. If you decide not to use it, you can specify so using the extendedShapes option. If your art style is detailed enough, it greatly improves the overall look of the animation. Upper teeth touching the lower lip for “F” as in for and “V” as in very. This mouth shape is used for “UW” as in y ou, “OW” as in sh ow, and “W” as in way. Both ⒸⒺⒻ and ⒹⒺⒻ should result in smooth animation. Make sure the mouth isn’t wider open than for Ⓒ. This shape is also used as an in-between when animating from Ⓒ or Ⓓ to Ⓕ. This mouth shape is used for vowels like “AO” as in off and “ER” as in b ird. This mouth shapes is used for vowels like “AA” as in f ather. So make sure the animations ⒶⒸⒹ and ⒷⒸⒹ look smooth! This shape is also used as an in-between when animating from Ⓐ or Ⓑ to Ⓓ. It’s also used for some consonants, depending on context. This mouth shape is used for vowels like “EH” as in m en and “AE” as in b at. It’s also used for some vowels such as the “EE” sound in b ee. This mouth shape is used for most consonants (“K”, “S”, “T”, etc.). This is almost identical to the Ⓧ shape, but there is ever-so-slight pressure between the lips. You may choose to draw all three of them, pick just one or two, or leave them out entirely.Ĭlosed mouth for the “P”, “B”, and “M” sounds. In addition to the six basic mouth shapes, there are three extended mouth shapes: Ⓖ, Ⓗ, and Ⓧ.
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